The Age of Aquarius

The Age of Aquarius

Ex Cops, Sky White Tiger (EP Release), Tempers, Rinsed (DJ Set), Prince Rama, Crocodiles (DJ)

Thu, February 5, 2015

7:00 pm

Baby's All Right

Brooklyn, NY

$10.00 - $12.00

Tickets at the Door

This event is 21 and over

Ex Cops
Ex Cops
Daggers

Out October 2014 via Downtown Records

Ex Cops, a nomadic duo featuring Amalie Bruun and Brian Harding, brings the hook-heavy blast of '90s alt-rock into a new era on their second album Daggers. Executive produced by icon-of-form Billy Corgan and produced by Justin Raisen (Sky Ferriera, Charli XCX, Kylie Minogue), the record rescues guitar-pop from the bedroom, returning it to the stage it deserves.

Formed in 2011, the group's first album True Hallucinations, released in early 2013, was a critically-acclaimed collection of sprawling indie-pop. From the exuberant "Spring Break (Birthday Song)" to the band's dreamy debut "You Are A Lion, I Am A Lamb," the John Siket-produced record (Blonde Redhead, Yo La Tengo) was a genre-jumping opening salvo and its wall-to-wall guitars set the tone for their new album.

Daggers is a musical about-face, though. "We are not afraid of our favorite music anymore," says Harding. "It's pop."

Billy Corgan, in addition to sharing the band's love of ABBA and taking them to their first wrestling match, provided form and texture to the new tracks over a two-week period in Chicago. The band then took the material to LA for tracking with Raisen and continued collaborating with artists like Ariel Pink, who co-wrote "Burnt Out Love" and features on "Tragically Alright."

The result reinvents modern rock. "White Noise," with its addictive chorus, merges guitars that could make your teeth ache and a motorik electronic pop pulse. The impeccably-produced "Teenagers" brings club-ready downtown pop to an anthemic peak, while "Black Soap" shifts shoegaze textures to stadium status and "Rooms," one of the album's emotionally-resonant ballads, packs a substantial punch.

1. Black Soap
2. White Noise
3. Teenagers
4. Daggers
5. Pretty Shitty
6. Burnt Out Love
7. Modern World
8. Wanna Be (feat. L.P.)
9. Tragically Alright (feat. Ariel Pink)
10. Rooms
11. Weird With You
Sky White Tiger (EP Release)
Sky White Tiger (EP Release)
Blurring lines between fantasy and reality, Louis Schwadron (former Polyphonic Spree) took matters into his own paws, birthing psych-pop alter ego SKY WHITE TIGER. After a decade of writing, recording, performing as multi-instrumentalist with Radiohead, David Bowie, Elton John, Sufjan Stevens, Grizzly Bear, The National, St. Vincent, and a batch of supporting US tour dates with Rufus Wainwright, Schwadron has completed a Debut LP Electraand an upcoming EP Child of Fire for touring in 2014 and beyond. With a blend of acoustic, electronic and a touch of the cinematic, Sky White Tiger can expand from solo to a 5 piece band, performing on stages, art galleries, planetarium domes - fusing sound, light, and fantasy - transforming any space into the Tiger Realm of the endless imagination.
Tempers
Tempers
Tempers are Jasmine Golestaneh and Eddie Cooper, a New York-based synth/goth/electro/rock duo. Their music inhabits a realm of opaque romance. Delphic vocals tower precariously over propulsive beats, and shimmering, static-like synths merge with guitars that swell and vanish.

Their live performances are a portal into a red-lit shadow world, exploring the thin line between freedom and oblivion. Jasmine invokes a kind of Leonard Cohen muse, channeling a Blue Velvet dialectic of hypnotic abandonment and illuminated purpose. Beside her, Eddie is a dispassionate master of ceremonies, a sphinx-like solidity in the ether. Tempers create architecture within the searing thrum; concrete tones in ghost form.
Rinsed (DJ Set)
Prince Rama
Prince Rama
A pummeling, voluntary thrust into the heart of darkness at the speed of light; a face-first bungee jump off the mortal coil into the gaping canyon of forever; a fistful of snow hurled at death's grin from high on a ski-lift doomed to eternally climb the summit-less mountain; a motorcycle falls from a tear in Hell; a tesseract constructed out of a half pipe slows down time as life flashes before your eyes in vivid colors; a pastless, futureless XTREME NOW unwinds before you, interrupted only by the consumption of a mysterious glowing green liquid oozing from a shiny aluminum can marked "ENERGY...”

Xtreme Now is the most extreme album Prince Rama has ever made. Writing for Xtreme Now began while the Larson sisters were living on a black metal utopian commune on Vȫrmsi, a remote island off the coast of Estonia during the summer of 2012. There, Taraka had a near death experience inside an ancient Viking ruin which sparked a recurring sense of time-schizophrenia, or the physical sensation of existing in multiple time periods simultaneously. In this case, she experienced a joint-existence in both the medieval ages and the year 2067. In one of her prophetic visions she describes, “In the year 2067, I witnessed an aesthetic landscape where art museums are sponsored by energy drink beverages and beauty is determined by speed. I saw a vision of ancient tapestries stretched across half-pipes and people base-jumping off planes with the Mona Lisa smiling up from their parachutes. I saw art merge with extreme sports to form a new aesthetic language of 'Speed Art.' I realized that time travel was possible via the gateway of extreme sports, and I wanted to make music that would provide the score.”

Perceiving a great void in the world of extreme sports for music that could match the metaphysical intensity of these death-defying feats, Prince Rama set forth to make Xtreme Now, the first real foray by any musician to create a new “extreme sports genre.” For inspiration, the sisters looked to their own flirtations with death and time-dilation, along with countless hours of obsessively watching extreme sports videos and consuming dangerous quantities of Monster Energy drink.

Working with acclaimed dance producer Alex Epton of XXXChange (Gang Gang Dance, Björk, Spank Rock, Panda Bear, The Kills), the new songs take on a more powerful, confident, fierce, infectious, all-encompassing, and accessible dance-club feeling than any other Prince Rama record—a fearless, visionary pop tour de force for the ghost-modern era that celebrates the ephemerality of life, dancing just at the edge of death's gilded smile.

Prince Rama’s Xtreme Now is the inaugural entry into what they have coined as the "Extreme Sports Genre." Inspired to musically match the metaphysical intensity of extreme sports’ death-defying feats, Prince Rama looked to their own personal flirtations with death and time-dilation. In a womb shaped by countless hours of obsessively watching extreme sports videos and consuming dangerous quantities of Monster Energy drinks, Xtreme Now was violently born.

Not much can faze the Larson sisters—Taraka and Nimai grew up in ashrams; lived on black metal communes; worked for utopian architects; written manifestos; delivered lectures from pools of fake blood; conducted group exorcisms disguised as VHS workouts; and are now tackling the world of extreme sports in a surreal, psychedelic, and nihilistic fashion.
The band’s often unpredictable live shows have been described by fans as “hypnotic and mesmerizing—the feeling of a stadium concert on acid,” incorporating elements of performance art, dance-club initiation rite, and vintage VH-1 hair-metal-bravado. Since signing to Animal Collective’s Paw Tracks label, Prince Rama has continually delivered powerful, raw performances of dark pop, as well as coining and embodying the utopian spirit of “The Now Age Movement,” a cult of post-Internet transcendentalism. After being discovered in a Texas dive bar by Avey Tare in 2010, Animal Collective helped them record and release Shadow Temple and Trust Now shortly thereafter, which peaked at #3 and #6 on the Billboard New Age Charts, respectively. To commemorate the Mayan apocalypse, they released Top Ten Hits of the End of the World in 2012, a pseudo-compilation album comprised of ten singles “channeled” from fictional deceased pop bands and partially recorded with members of Ariel Pink's Haunted Graffiti.

After touring behind Top Ten Hits, the Larson sisters took time off from music to develop their visual art practice, exhibiting internationally at the Whitney Museum of Art, Indianapolis Museum of Contemporary Art, and the MoMA PS 1 VW Dome, to name a few. Taraka has also published several manifestos on the “NOW AGE” that puts forth Prince Rama’s aesthetic and metaphysical philosophies, earning both hatred and praise from art and music worlds alike. The sisters’ seemingly effortless way of weaving conceptual art practice with music is inspired by an ancestral legacy of New York renaissance visionaries such as Kim Gordon, Laurie Anderson, and Patti Smith—but with more glitter and hairspray. Prince Rama’s new album reflects a mature, complex, multi-layered approach to culture-making. Xtreme Now exists not only as a fun record of dance party hits, but the concept will take on various incarnations including a visual art exhibition, a new manifesto, an energy drink, and a couture fashion line of active-wear inspired by extreme sports and the Byzantine age. According to lead singer Taraka, “We not only want to write new songs, we want to create a new emotional language.”
Crocodiles (DJ)
Crocodiles (DJ)
For me, Crocodiles represent everything I love about life-affirming Rock'n'Roll: they bring light out of darkness; they match reckless noise with the most beautiful melodies; they catch you off guard whilst sounding like the most perfect kind of right for the right here, right now.

They remind me of all the things I've loved but they also make me hungry for what I've not yet tasted. The claustrophobia and pain of the recent past is dealt with bravely and the road ahead is wide and open. It is all my favorite records playing at once; the trick to it being the truth; the truth being that great, life-affirming music must be bittersweet; anger is an energy that can be churned to positive.

We who face the demons of derailment out to destroy dreams must harness the hate and turn it back on itself—it is from this that great art is begat. And so these songs rage and chime at once, in organized chaos, like life.

Charles and Brandon have been making music together since they were 18. They met in the dirty glow of San Diego sun and now split their lives between New York City and London. Their music has grown up over the last decade just as they have. New blood in the form of producer Sune Rose Wagner of Raveonettes fame oversaw this recent endeavor and it was a quick, natural Los Angeles creation. Duncan Mills mixed for the third time, to maintain their catalogue lifeline.

Crimes Of Passion kicks off with "I Like It In The Dark," which could be their best to date; a joyous hymn to atheism and closes with the aching beauty of "Un Chant D'Amour," a simple and direct ode to heartbreak. These songs bookmark an album bursting with sounds inspired by the likes of the Soft Boys, Street Hassle era Lou Reed, the Notorious Byrd Brothers, the Jackson 5 and even Glenn Branca. This is certainly the most fully realised Crocodiles album to date.

It is a sadly accepted impression that life is cooler in song, on screen, in art, or in poetry, but it is far superior when the creative process is fed back into real life and an album like Crimes Of Passion is born.
Venue Information:
Baby's All Right
146 Broadway
Brooklyn, NY, 11211
http://babysallright.com/